Radoslav Neichevʼs Danube landscape paintings would be better described as states of mind and perceptions of environs than as concrete representations.
Chavdar Gyuzelev is learned, spontaneous, sometimes unrestrained. He is enthralled by beauty, wages war on ugliness and often resorts to his most powerful weapon – irony.
Julian Tabakov immerses his viewers into the shocking picture of a nature that is dying because of human interference.
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